Learn
How Music Royalties Work
Step 1
A play happens
Someone streams your song, hears it on the radio, or plays it in a venue. That single use is about to generate money in more than one place at once — which is exactly why so much of it goes uncollected.
Explore: streaming royalties, music royalties
Step 2
One song, two copyrights
Every recording is really two copyrights, owned and paid separately: the composition (the song you wrote) and the recording (the master). Each splits again among the people who made it.
Explore: composition vs. recording, writer's share, recording royalties
Step 3
What each side earns
Those two copyrights earn different royalty types, and which ones depend on where the play happened. Hover the ring or the table to see how they connect.
- Distribution
- Broadcast
- Publishing
- Performance
| Platform type | Recording | Mechanical | Performance | Neighboring | Sync |
|---|---|---|---|---|---|
| Interactive streaming (Spotify, Apple Music) | ● | ● | ● | — | — |
| Non-interactive radio (Pandora, SiriusXM, iHeartRadio) | ● | — | ● | ● | — |
| Download / DJ stores (Bandcamp, Beatport) | ● | ● | — | — | — |
| Short-form & social (TikTok, Meta, Snap) | ● | ● | ● | — | ● |
| Fitness, sync & background (Peloton) | ● | — | ● | — | ● |
| Karaoke & sing-along (Singa, WeSing) | — | ● | ● | — | ● |
Interactive streaming (Spotify, Apple Music) pays recording, mechanical, and performance royalties, not neighboring rights, which come from non-interactive radio via SoundExchange. Karaoke also generates a print (lyric) royalty not shown above. ROXi-style on-demand music-video and karaoke TV is audiovisual, so it leans on sync and master-use licensing rather than the statutory mechanical.
Explore: performance, mechanical, neighboring, sync
Step 4
Who collects each one
Each royalty has its own collector — and you usually have to be registered with each before it can pay you. That fragmentation is where money gets stranded.
- Recording royalties→your distributor
- Mechanical royalties→The MLC
- Performance royalties→your PRO
- Neighboring rights→SoundExchange
Collect everywhere
One song. Collected worldwide. Paid to you.
- Collecting now
- On the map
What a song earns
- PerformanceComposition · PROs
- MechanicalComposition · MROs
- Neighbouring rightsRecording · societies like SoundExchange
- Master recordingsPaid directly by DSPs everywhere a song streams — distribution, not a society
The map shades the society-collected layer — the part that differs by territory. Master recordings are paid worldwide through distribution, so they sit outside the map.
Collection Sources
- Albania ALBAUTOR
- Algeria ONDA
- Andorra SDADV
- Angola UNAC-SA
- Argentina SADAIC
- Armenia ARMAUTHOR
- Australia APRA AMCOS
- Austria AKM
- Azerbaijan AAS
- Barbados COSCAP
- Belarus NCIP
- Belgium SABAM
- Benin BUBEDRA
- Bolivia SOBODAYCOM
- Bosnia and Herzegovina AMUS
- Botswana COSBOTS
- Brazil ECAD
- Bulgaria MUSICAUTOR
- Burkina Faso BBDA
- Cabo Verde SCM
- Canada SOCAN
- Chile SCD
- China MCSC
- Colombia SAYCO
- Costa Rica ACAM
- Côte d'Ivoire BURIDA
- Croatia HDS
- Cuba ACDAM
- Czechia OSA
- Denmark KODA
- Dominican Republic SGACEDOM
- Ecuador SAYCE
- El Salvador SACIM
- Estonia EAÜ
- Finland TEOSTO
- France SACEM
- Germany GEMA
- Ghana GHAMRO
- Greece AUTODIA
- Guatemala AEI
- Guinea BGDA
- Honduras AACIMH
- Hong Kong CASH
- Hungary ARTISJUS
- Iceland STEF
- India IPRS
- Indonesia KCI, WAMI
- Ireland IMRO
- Israel ACUM
- Italy SIAE
- Jamaica JACAP
- Japan JASRAC
- Kazakhstan KazAK
- Kenya MCSK
- Kosovo VAPIC
- Latvia AKKA/LAA
- Lesotho LESCOSAA
- Lithuania LATGA
- Luxembourg SACEM Luxembourg
- Macau MACA
- Madagascar OMDA
- Malawi COSOMA
- Malaysia MACP
- Mali BUMDA
- Mauritius MASA
- Mexico SACM
- Moldova AsDAC
- Montenegro PAM CG
- Morocco BMDA
- Mozambique SOMAS
- Namibia NASCAM
- Nepal MRCSN
- Netherlands Buma/Stemra
- New Zealand APRA AMCOS
- Nigeria MCSN
- North Macedonia ZAMP Macedonia
- Norway TONO
- Panama SPAC
- Paraguay APA
- Peru APDAYC
- Philippines FILSCAP
- Poland ZAiKS
- Portugal SPA
- Republic of the Congo BCDA
- Romania UCMR-ADA
- Russia RAO
- Saint Lucia ECCO
- Senegal SODAV
- Serbia SOKOJ
- Singapore COMPASS
- Slovakia SOZA
- Slovenia SAZAS
- South Africa SAMRO
- South Korea KOMCA
- Spain SGAE
- Suriname SASUR
- Sweden STIM
- Switzerland SUISA
- Taiwan MÜST
- Tanzania COSOTA
- Thailand MCT
- Trinidad and Tobago COTT
- Türkiye MESAM
- Uganda UPRS
- Ukraine UACRR
- United Arab Emirates EMRA
- United Kingdom PRS for Music, PPL
- United States Collecting nowBMI, The MLC, SoundExchange, ASCAP, SESAC
- Uruguay AGADU
- Venezuela SACVEN
- Vietnam VCPMC
- Zimbabwe ZIMURA
Explore: PROs, The MLC, SoundExchange
Step 5
How it reaches you
Every source above pays a different piece, in a different place, on a different schedule. Notes registers and connects your catalog across all of them — recording and composition, every collector, worldwide — and reconciles it into one place, so each share actually reaches you.
Go deeper: the full reference, the glossary